Tony Slydini, an Italian, was born in the year 1901 and passed away on 1991. He was a master at the art of misdirection. He used solely sleight of hands and misdirection to perform his own brand of magic tricks without the use of any gimmick. For 55 years in performing magic, he has never read a book on magic.
In the first video below, you will see Slydini performed his “The Paper Balls in the Hat” magic trick. Slydini crushed and rolled up 3 to 4 pieces of paper into a ball each time and make them appear and disappear in his hand. He then put the ball held in his left hand invisibly into the hat with his right hand. As Slydini opened his left hand, the paper ball had disappeared. This routine is repeated 3 to 4 times and never once do you see him putting the ball into the hat. At the end of the performance, the hat which was shown to be empty at the beginning of the performance is then filled with paper balls.
The secret to the "The Paper Balls in the Hat" magic trick:
This is done by a combination of lapping, sleight of hands and misdirection.
Lapping is a skill where you use your lap (that is covered by the table) to serve as a platform where you use to drop items onto from your hands or from the table if you want to make the items vanish. You can also pick these items up again into your hands when you make them reappear. Slydini used this technique very often and Dai Vernon (a.k.a. Professor) commented that the powerful technique of lapping had not been utilized enough nor developed further beyond what Slydini had done with lapping.
Note that Slydini repeats his action over and over again. There are times when you taught that he was up to some trick but nothing actually happened. When he first opened his left hand, you expect to see the paper ball disappear but instead the paper ball is still there. The next time he repeated his action, the paper ball actually disappeared. Slydini used repeated actions to confuse the audience. When the audience see the same actions repeated many times without anything actually happening, they will lost their alertness when they see the same actions and that is when he actually do something sneaky. I must really salute Slydini for his dexterity because even though I have already know his secret moves, I still can’t catch him doing his move at that exact moment when I’m watching out for it a hundred percent. Not only is his action so fast, but more admirably the action is so natural.
Watch the video again.
At 0:22, Slydini put his left hand down below the table for the first time. The first time he put his left hand down, there was absolutely no trick.
At 0:29, Slydini showed the ball was still in his left hand.
At 0:31, Slydini transferred the ball from the left hand to the right hand while the right hand was covering the left hand. He then dropped the ball from the right hand onto his lap.
From 0:47 to 0:51, Slydini put his left hand down below the table for the second time. This time he picked up the first ball dropped on his lap and transferred it to his right hand. This ball was held in the right hand and subsequently dropped into the hat while he repeated his previous actions. Even though the second ball remained in the left hand, the first ball which was in the right hand had been dropped into the hat. You may think that nothing was dropped into the hat because the ball was still in the left hand. Moreover, this series of action happened in the beginning and your memory reinforced you to think that the right hand is empty and nothing is put into the hat. You thought that it was nothing but some theatrical gesturing.
At 1:38, you will find that there is no more paper on the table to be rolled into paper ball nor are there any more balls in his hands. Nevertheless he repeated his routine again because he still has one more ball on his lap. This magic trick can never be completed with the same number of balls rolled up appearing in the hat unless he carries out his routine for one last time.
The second video shows 2 magic tricks by Slydini. This is of a much later date than the previous video. Slydini addressed the gentleman as Professor which is possibly Dai Vernon in his younger days. The first 4 minutes is again the “Hat and Paper Balls” magic trick. Note that at 2:04, when Slydini was transferring the previous paper ball in his left hand to his right hand, the ball was not crushed properly and some edges of the paper were visible during the transfer. At 3:17, when Slydini was putting the transferred paper ball in his right hand into the red box, you can notice some trace of yellow paper at the top of the red box while he dropped it into the box. From where Dai Vernon was sitting, he could actually see what was happening. Nevertheless, he pretended to be ignorant and amazed by the trick which helped to reinforce the audience’s amazement. The second magic trick entitled, “The Impossible Dream”, Slydini restored a handful of tobacco and paper into a cigarette. There is actually a third magic trick but it is rather short.
Notice how Slydini involves his audience in his performance. In this way, the audience’s attention is directed to what he has to do away from what he is doing in a split moment. It is also an important way to hold the audience’s attention and interest, another important aspect of performing magic. Obviously, Slydini could have done all those things himself instead of asking the audience to do so but still he chose to get the audience involved. At 5:09, Slydini picked up a cigarette on his lap and held it in his right hand as he rested his right hand at the edge of the table. At 5:14, Slydini dropped all the tobacco and paper on his left hand onto his lap as he turned his left hand to face downward while he pushed the cigarette held in his right hand to emerge from his left hand, giving the illusion that the torn cigarette had been restored. At 5:18, you can see Slydini dusting off the tobacco on his lap.
For the third magic trick where Slydini stretches two halves of a cigarette into two complete cigarettes, just watch when did Slydini put his hands below the table. Once you understand the principle of lapping, you will understand how he did this magic trick. And notice how he directed the audience’s attention away with his hand and eyes while the other hand made his sneaky move. This is the essence of misdirection. Nevertheless Slydini did it so well that even you are aware of the technique, you cannot help but follow his lead and his crucial sleight of hands are simply too fast and natural.
Showing posts with label how to do magic tricks. Show all posts
Showing posts with label how to do magic tricks. Show all posts
Saturday, December 13, 2008
Wednesday, December 10, 2008
How to do magic trick #7: Principles and techniques used in performing magic tricks
Hello world! It has been quite a while since I last updated my blog. Life is busy especially when you are working full-time. Let me get on with my article immediately.
So far in my articles, you may have noticed that I have presented the process of learning magic and the principles and techniques used in magic tricks progressively in a systematic manner. If you follow my articles carefully, you will have a clear and good understanding of the essentials of the secrets behind any magic trick. Subsequently, it will be easy for you to begin learning magic systematically, selecting the field of magic you like to specialize in instead of groping in the dark, learning random tricks which may be either too difficult or too easy but meaningless. That will save you lots of time and money.
Moreover, different magic tricks have different effects on the audience. So it is important for you to know what you are trying to achieve with your magic tricks. Are you trying to build rapport with someone? Or is it you want to break the ice with a stranger? Perhaps you are trying to focus the attention of a group of familiar or unfamiliar people on yourself or you are simply trying to entertain your family and friends. Using the wrong magic tricks and performing the right magic tricks with the wrong presentation will not bring you the desired effects. Thus picking up magic tricks randomly here and there, especially free magic tricks on the internet will not help you achieve your objectives.
Nevertheless, I will only touch on the general principles but not into the details as I do not wish to expose the secrets behind magic openly. These articles are meant to help those who are truly interested in investing into learning the art of magic and making the journey easier for them. This is to prevent exposing the secrets behind the art of magic to nosey curiosity seekers who do not respect the art of magic.
Magic is essentially an art of deception. The line is extremely thin between a con artist and a magician. A magician uses the art to entertain whereas a con artist uses the art to rip off his targets in order to benefit himself unethically. Unfortunately, there are many half baked magicians who are also part-time conmen. In the process of learning magic, I was unfortunate enough to come across a few of these. If you want to learn magic, you must be clear about your objectives and make a clear stand on how you are going to use what you learn from the art of magic.
The essential principles of performing magic tricks are
1. the force,
2. misdirection,
3. cunning phrasing of words and
4. sleights
Understanding how these four principles work will enable you to know how more than 70 percent of all magic tricks work.
The principle of force as the name implies, forces the audience to make a choice that is predetermined by the magician. For example a magician let the audience pick a card at random. The card that the audience eventually pick is the card that the magician ‘forces’ the audience to pick. Of course the audience will not realize that if the magician is skilful in the execution of the force. The force can be executed by using props, sleights, mathematical principles or a sequence of instructions dictated by the magician to the audience. A magic trick that uses the principle of force is usually one where the magician predicts an outcome such as predicting the card chosen by the audience. The field of magic known as (mind reading) uses the principle of force very often.
Misdirection simply means distracting the audience. Stage magic is composed heavily of stage props and misdirection. A very simple thing to do is to direct your audience to look at somewhere else away from what you are sneakily trying to do elsewhere. Directing the audience to look elsewhere is a visual misdirection. Besides that you can misdirect the audience by keeping them busy with something to do or engaging them in a conversation. I would like to call that mental misdirection. Another form of mental misdirection is to make the audience think that you have done something, say with your hands, when you have actually done something else. The master of misdirection is late Tony Slydini. To understand and appreciate how does misdirection works in magic tricks, it will benefit you greatly to watch Tony Slydini perform his magic tricks.
The third principle listed here involves a manipulation of words. I would like to call this double-talking. Whenever a magician engages the audience in a conversation, his instructions and predictions may seem to mean something but it could also mean another thing. Besides double-talking, he would possibly instruct the audience to do something subconsciously by a play of words.
Sleights are skilful manipulation of hands. Mastering sleights is the most time consuming task magicians have to spend their time on. Although it may not necessarily be true that the magician who is the most skilful at his sleights is the best magician but a magician must be skilful at his sleights in order to be a good magician. Thus I have always advocated beginner magicians or aspiring magicians to learn magic tricks that do not involve the use of sleights in the beginning but to perform simpler form of magic tricks while giving themselves time to practice their sleights.
In my next article, I will talk more about Misdirection in magic.
So far in my articles, you may have noticed that I have presented the process of learning magic and the principles and techniques used in magic tricks progressively in a systematic manner. If you follow my articles carefully, you will have a clear and good understanding of the essentials of the secrets behind any magic trick. Subsequently, it will be easy for you to begin learning magic systematically, selecting the field of magic you like to specialize in instead of groping in the dark, learning random tricks which may be either too difficult or too easy but meaningless. That will save you lots of time and money.
Moreover, different magic tricks have different effects on the audience. So it is important for you to know what you are trying to achieve with your magic tricks. Are you trying to build rapport with someone? Or is it you want to break the ice with a stranger? Perhaps you are trying to focus the attention of a group of familiar or unfamiliar people on yourself or you are simply trying to entertain your family and friends. Using the wrong magic tricks and performing the right magic tricks with the wrong presentation will not bring you the desired effects. Thus picking up magic tricks randomly here and there, especially free magic tricks on the internet will not help you achieve your objectives.
Nevertheless, I will only touch on the general principles but not into the details as I do not wish to expose the secrets behind magic openly. These articles are meant to help those who are truly interested in investing into learning the art of magic and making the journey easier for them. This is to prevent exposing the secrets behind the art of magic to nosey curiosity seekers who do not respect the art of magic.
Magic is essentially an art of deception. The line is extremely thin between a con artist and a magician. A magician uses the art to entertain whereas a con artist uses the art to rip off his targets in order to benefit himself unethically. Unfortunately, there are many half baked magicians who are also part-time conmen. In the process of learning magic, I was unfortunate enough to come across a few of these. If you want to learn magic, you must be clear about your objectives and make a clear stand on how you are going to use what you learn from the art of magic.
The essential principles of performing magic tricks are
1. the force,
2. misdirection,
3. cunning phrasing of words and
4. sleights
Understanding how these four principles work will enable you to know how more than 70 percent of all magic tricks work.
The principle of force as the name implies, forces the audience to make a choice that is predetermined by the magician. For example a magician let the audience pick a card at random. The card that the audience eventually pick is the card that the magician ‘forces’ the audience to pick. Of course the audience will not realize that if the magician is skilful in the execution of the force. The force can be executed by using props, sleights, mathematical principles or a sequence of instructions dictated by the magician to the audience. A magic trick that uses the principle of force is usually one where the magician predicts an outcome such as predicting the card chosen by the audience. The field of magic known as (mind reading) uses the principle of force very often.
Misdirection simply means distracting the audience. Stage magic is composed heavily of stage props and misdirection. A very simple thing to do is to direct your audience to look at somewhere else away from what you are sneakily trying to do elsewhere. Directing the audience to look elsewhere is a visual misdirection. Besides that you can misdirect the audience by keeping them busy with something to do or engaging them in a conversation. I would like to call that mental misdirection. Another form of mental misdirection is to make the audience think that you have done something, say with your hands, when you have actually done something else. The master of misdirection is late Tony Slydini. To understand and appreciate how does misdirection works in magic tricks, it will benefit you greatly to watch Tony Slydini perform his magic tricks.
The third principle listed here involves a manipulation of words. I would like to call this double-talking. Whenever a magician engages the audience in a conversation, his instructions and predictions may seem to mean something but it could also mean another thing. Besides double-talking, he would possibly instruct the audience to do something subconsciously by a play of words.
Sleights are skilful manipulation of hands. Mastering sleights is the most time consuming task magicians have to spend their time on. Although it may not necessarily be true that the magician who is the most skilful at his sleights is the best magician but a magician must be skilful at his sleights in order to be a good magician. Thus I have always advocated beginner magicians or aspiring magicians to learn magic tricks that do not involve the use of sleights in the beginning but to perform simpler form of magic tricks while giving themselves time to practice their sleights.
In my next article, I will talk more about Misdirection in magic.
Monday, October 6, 2008
How to do magic tricks #4: Why do people want to learn magic?
People learn magic for different purposes. The basic motivation for learning magic is that magic amazes and intrigues other people and ourselves. If you perform a magic trick to your friend, the usual response you get is “how did you do it?” The first motive of that response is to satisfy a curiosity. After you have shared the secret to the magic trick you performed to your friend (which you shouldn’t), he/she may or may not choose to learn how to perform it. This is where I draw the distinction between a curiosity seeker and one who is interested in magic. The one who chooses not to learn the magic trick after knowing the secret is merely a curiosity seeker. The one who chooses to learn it wants to perform it in order to amaze and intrigue others just as much as he was amazed and intrigued. Taking that even a step further, each one has one or more of the following motives:
- a natural passion for magic especially developed since childhood;
- to become a professional magician in order to learn a living;
- to entertain family and friends;
- to impress ladies.
The last three reasons are extrinsically motivated while the first is one is intrinsically motivated. Humans generally want to possess power beyond their physical abilities. Being able to perform magic not only gives the audience the impression but also satisfies the performer’s imagination that he/she possesses some supernatural powers beyond his/her natural self.
Friday, October 3, 2008
How to do magic tricks #2: Where to learn magic?
With the proliferation of the internet and online video from YouTube, many people have been uploading the secrets to magic tricks on the internet. As a result, many people have searched the internet for secrets to magic tricks. Among these people who surf the net for secrets to magic tricks, many of whom are merely curiosity seekers. Secrets to magic tricks should never be revealed to curiosity seekers because the secrets are not meant for them. Curiosity seekers merely cheapen the value of magic tricks. They will even go round exposing the secret to everybody, destroying totally the trick that was designed and crafted to entertain everyone.
So one obvious way where you can learn magic is from the internet. If you have found your way to this website, you would have already been surfing the internet in search of magic. Nevertheless, is that the only way you want to learn magic? It is not true to say that nothing comes free. However, things that come free and easy are usually not of much value, at least the people who receive them do not esteem them highly. Moreover, do you really want to perform magic tricks where the secrets are already made known to many other people who have learned about them from the internet? Instead of amazing others you will probably get the response, “I know that too! What is so amazing about that?”
The other common and easy way to learn magic tricks is to learn from a ‘magician’. This can be done by visiting your local magic shops and buy a magic trick from the shop if they provide that kind of service. Besides that, you may be fortunate or perhaps unfortunate enough to meet a ‘so-called magician’ who is willing to teach you magic tricks personally for a fee. I do believe in the benefit of having someone who is experienced in the craft of magic to guide you personally step by step. However not just anyone who claims to be a magician is truly a proficient magician. Even if they are, they may not necessarily be good teachers who know how to guide you. My biggest objection to learning from such ‘magicians’ is that the fees that they charge for teaching you are too unreasonable. In my early days of learning magic, I have personally paid as much as $100 for a magic trick which I find too unpractical to execute after learning its secret and have also paid several hundreds of dollars for just one or two hours of personal tuition for learning magic. The length of time is too short for you to master any difficult moves (called sleight of hands). You may want to learn these basic sleights and practice them on your own for a reasonable length of time and return to that person and ask for more guidance to perfect your moves. However that is not the deal you are getting. You certainly do not want to pay several hundreds of dollars and sit there for two hours practicing a particular move. In case you are thinking that you just want to learn a few simple tricks in that one or two hours instead of learning some difficult moves, then you might as well spend ten to twenty dollars buying a book and learn more than a dozen magic tricks in them. If you want something more visual, buy a DVD and watch it. And that brings me to my next point.
Having addressed the issue of free magic tricks on the internet, the most common avenues to learn magic nowadays is from books and videos in the form of DVDs. Although some magic books may be expensive, but there are also many magic books that are very cheap, costing less than $10.00. In fact you can find books that teach you as many as 50 magic tricks or more for an affordable price of less than $10.00. If you are serious about learning magic, you should consider investing some money into books. If you do not have much cash to spare, just get a book which you can afford. You will find that you need a considerable length of time just to master every single trick taught in the book.
In this modern era where videos are available in abundance, DVDs have become the media of choice particularly it stimulates both your visual and auditory senses. As a result, secrets to magic tricks are released in the form of DVDs more than they are released in the form of books. DVDs certainly have the edge over books. You can learn magic tricks from DVDs visually as well as replay them over and over again.
Nevertheless, there are several drawbacks if you compare DVDs with books. DVDs are commercial media produced for commercial purposes and so they are relatively more expensive than books in terms of value. If you buy a book on magic with the same price of a DVD, you would have access to many more magic tricks than you would from a DVD. Since DVD is the media of choice, whatever magic tricks you learn from the DVD are also known to many other people who have bought the same DVD as you have. It is easy to watch every magic tricks presented in a DVD but it is not easy to read and learn every magic tricks in a book. So the secrets to the magic tricks found on DVD are not as exclusive as those magic tricks found in books on magic. In fact, there were premium magic tricks that were usually released in the form of books first before they were released on DVDs. Magic tricks that are taught in DVDs are usually taken from books that were published long ago. Professional magician Michael Close says in his DVD that he is an old school magician in that he believes in learning magic from books on magic instead of from DVDs. He explained that magic books explain more clearly on many subtleties of a magic trick needed for learning whereas DVDs do not. Another local magician I met told me that the really good magic tricks are found in books and not in DVDs because magicians write books to leave behind a legacy. It is understandable that it requires time and effort to read and understand from books on magic but the real gems are buried deep within the book. So if you want to find real gems for magic, you will have to dig for it from the books.
So one obvious way where you can learn magic is from the internet. If you have found your way to this website, you would have already been surfing the internet in search of magic. Nevertheless, is that the only way you want to learn magic? It is not true to say that nothing comes free. However, things that come free and easy are usually not of much value, at least the people who receive them do not esteem them highly. Moreover, do you really want to perform magic tricks where the secrets are already made known to many other people who have learned about them from the internet? Instead of amazing others you will probably get the response, “I know that too! What is so amazing about that?”
The other common and easy way to learn magic tricks is to learn from a ‘magician’. This can be done by visiting your local magic shops and buy a magic trick from the shop if they provide that kind of service. Besides that, you may be fortunate or perhaps unfortunate enough to meet a ‘so-called magician’ who is willing to teach you magic tricks personally for a fee. I do believe in the benefit of having someone who is experienced in the craft of magic to guide you personally step by step. However not just anyone who claims to be a magician is truly a proficient magician. Even if they are, they may not necessarily be good teachers who know how to guide you. My biggest objection to learning from such ‘magicians’ is that the fees that they charge for teaching you are too unreasonable. In my early days of learning magic, I have personally paid as much as $100 for a magic trick which I find too unpractical to execute after learning its secret and have also paid several hundreds of dollars for just one or two hours of personal tuition for learning magic. The length of time is too short for you to master any difficult moves (called sleight of hands). You may want to learn these basic sleights and practice them on your own for a reasonable length of time and return to that person and ask for more guidance to perfect your moves. However that is not the deal you are getting. You certainly do not want to pay several hundreds of dollars and sit there for two hours practicing a particular move. In case you are thinking that you just want to learn a few simple tricks in that one or two hours instead of learning some difficult moves, then you might as well spend ten to twenty dollars buying a book and learn more than a dozen magic tricks in them. If you want something more visual, buy a DVD and watch it. And that brings me to my next point.
Having addressed the issue of free magic tricks on the internet, the most common avenues to learn magic nowadays is from books and videos in the form of DVDs. Although some magic books may be expensive, but there are also many magic books that are very cheap, costing less than $10.00. In fact you can find books that teach you as many as 50 magic tricks or more for an affordable price of less than $10.00. If you are serious about learning magic, you should consider investing some money into books. If you do not have much cash to spare, just get a book which you can afford. You will find that you need a considerable length of time just to master every single trick taught in the book.
In this modern era where videos are available in abundance, DVDs have become the media of choice particularly it stimulates both your visual and auditory senses. As a result, secrets to magic tricks are released in the form of DVDs more than they are released in the form of books. DVDs certainly have the edge over books. You can learn magic tricks from DVDs visually as well as replay them over and over again.
Nevertheless, there are several drawbacks if you compare DVDs with books. DVDs are commercial media produced for commercial purposes and so they are relatively more expensive than books in terms of value. If you buy a book on magic with the same price of a DVD, you would have access to many more magic tricks than you would from a DVD. Since DVD is the media of choice, whatever magic tricks you learn from the DVD are also known to many other people who have bought the same DVD as you have. It is easy to watch every magic tricks presented in a DVD but it is not easy to read and learn every magic tricks in a book. So the secrets to the magic tricks found on DVD are not as exclusive as those magic tricks found in books on magic. In fact, there were premium magic tricks that were usually released in the form of books first before they were released on DVDs. Magic tricks that are taught in DVDs are usually taken from books that were published long ago. Professional magician Michael Close says in his DVD that he is an old school magician in that he believes in learning magic from books on magic instead of from DVDs. He explained that magic books explain more clearly on many subtleties of a magic trick needed for learning whereas DVDs do not. Another local magician I met told me that the really good magic tricks are found in books and not in DVDs because magicians write books to leave behind a legacy. It is understandable that it requires time and effort to read and understand from books on magic but the real gems are buried deep within the book. So if you want to find real gems for magic, you will have to dig for it from the books.
Subscribe to:
Posts (Atom)
